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| Greatest Hindustani Classical Vocalist of 20 th Century has been..... |
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Benaras Tabla Gharana
Provenance
Founder
Ram Sahay Mishra founded it in the early 19th century
Genealogy
Genre
It makes use of Pakhawaj bols. It is associated with dance
forms and is characterized by gat, mohra, mukhda, uthan,
rela and laggi. The Bols include Parans like Ganesh Paran,
Gaja Paran and long Parans with shlokas are found in the
compositions of this gharana.
Complex layakari is one of the distinct features of this
gharana. Both masculine and feminine gats are developed in
this style. Smaller drums are used and the playing is
clear and forceful. The solo begins with uthan
compositions and dha is often replaced by na. Syllables
from almost all instruments are made use of. Laya, such as
Barabar, Ad (multiples/fractions of one and a half, eg.
Three fourth, three, six, etc.) Viad (multiples/fractions
of three and a half) and Kuad (multiples/fractions of two
and a half) are used. Rare taals like the Shultal, Pancham
Sawari and Dhamar are also played.
The Peerless & Illustrious
Pt. Samta Prasad, Pt.Kishan Maharaj and Pt. Sharda Sahay,
Anokhelalji, Kanthe Maharaj, Sharda Sahay, Ramji Mishra,
Ranganath Mishra, Kumarlal Mishra, Biru Mishra, Bacha
Mishra, Ishwarlalji and Chotelalji.
The Torchbearers
Kumar Bose, Balkrishna Iyer and Sandeep Das.
Anecdotes
Comments
View Maestros of Benaras
Gharana |
Benaras Tabla Gharana
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| Tuitions !! |
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| Performing Artist ? |
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| Connoisseur |
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| Featured |
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Featured |
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Pandit Shailesh Bhagwat |
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| One of the most well known disciples of Late Bharat-Ratna Ustad Bismillah Khan Saheb, Pandit SHAILESH BHAGWAT"s rendering of Shehnai is marked with an emotional presentation - which has a systematic blending and an improvisation of Raga in the "Gayaki-Ang". His phenomenal breath-control is superb and notable. |
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