Kathakali is the most well known dance drama from the south Indian state of Kerala. The word Kathakali literally means "Story-Play". It is known for its large, elaborate makeup and costumes. The elaborate costumes of Kathakali have become the most recognised icon for Kerala.
History & Origin
Basically a dance form of Kerela.Kathakali has a long tradition. It dates back to the 17th century. It was given its present form by Mahakavi Vallathol Narayan Menon, who was the founder of the Kerala Kala Mandalam.
Performance & Features
The themes of the Kathakali are religious in nature. They typically deal with the Mahabarat, the Ramayana and the ancient scriptures known as the Puranas. This is performed in a text which is generally Sanskritised Malayalam.
A Kathakali performance is a major social event. They generally start at dusk and go through out the night. Kathakali is usually performed only by men. Female characters are portrayed by men dressed in women's costume. However, in recent years, women have started to become Kathakali dancers.
The actors rely very heavily on hand gesture to convey the story. These hand gestures, known as mudra, are common through out much of classical Indian dance.
The costume is the most distinctive characteristic of Kathakali. The makeup is very elaborate and the costumes are very large and heavy.
There are several kinds of costume. There are: Sathwika (the hero), Kathi (the villain), Minukku (females), and Thatti. These basic divisions are further subdivided in a way which is very well known to Malayali (Keralite) audiences. Each character is instantly recognisable by their characteristic makeup and costume.
The makeup is very elaborate. It is so elaborate that it is more like a mask than makeup in the usual sense. Characters are categorized according to their nature. This determines the colours used in the make-up. The faces of noble male characters, such as virtuous kings, the divine hero Rama, etc., are predominantly green. Characters of high birth who have an evil streak, such as the demon king Ravana, are allotted a similar green make-up, slashed with red marks on the cheeks. Extremely angry or excessively evil characters wear predominantly red make-up and a flowing red beard. Forest dwellers such as hunters are represented with a predominantly black make-up base. Women and ascetics have lustrous, yellowish faces.The materials that comprise the makeup is all locally available. The white is made from rice flour, the red is made from Vermilion (a red earth such as cinnabar). The black is made from soot. The colours are not merely decoration, but are also a means of portraying characters. For instance, red on the feet is used to symbolise evil character and evil intent.
The music of Kathakali has some similarity to the larger body of South Indian classical music (Carnatic sangeet); however the instrumentation is decidedly different. Its local colour is strongly achieved by the use of instruments such as chenda, idakka, and shuddha madalam.
Kathakali is one of the oldest theatre forms in the world. It originated in the area of southwestern India now known as the state of Kerala. Kathakali is a group presentation, in which dancers take various roles in performances traditionally based on themes from Hindu mythology, especially the two epics, the Ramayana and the Mahabharata.
The technique of Kathakali includes a highly developed language of gesture, through which the artist can convey whole sentences and stories. The body movements and footwork are very rigourous. To attain the high degree of flexibility and muscle control required for this art, a Kathakali dancer undergoes a strenuous course of training, and special periods of body massage.
The dancers wear large head dresses, and the contours of the face are extended with moulded lime. The extraordinary costumes and make-up serve to raise the participants above the level of mere mortals, so that they may transport the audience to a world of wonders.
The orchestra of a Kathakali performance includes two drums known as the chenda and the maddalam, along with cymbals and another percussion instrument, the ela taalam. Normally, two singers provide the vocal accompaniment. The style of singing particular to Kathakali is called Sopaanam. The orchestra of a Kathakali troupe is unique and provides not only the background to the dancing, but also serves as a highly expressive special effects team. In the traditional village ambiance, the percussionists also provide publicity for the event by playing outside the venue for some hours before the start of the show.